Let me in, twenty minutes -
somebody might see me,
a shaking hand, hovering,
car parked in the woods.
Bend back,
keeping the bruised side hidden,
tenderly false.
If he finds out about us -
worse to speak, rending steel -
kill. I mean it.
Save it for me, baby.
Rewriting Twin Peaks scripts as poetry. Each poem will be put together using only words and phrases from its specified script.
Thursday, April 30, 2015
Wednesday, April 29, 2015
The runner - from "Zen, or the Skill to Catch a Killer," episode 2
I knew you'd be back,
highball grime and your
smoking tears.
You shouldn't have spoken that way,
those pains,
a stunned running engrossed,
chasing the bends.
You needed to change - your father...
Honey, it's right out here.
Shaking sick, please listen.
There's no reason to fade.
highball grime and your
smoking tears.
You shouldn't have spoken that way,
those pains,
a stunned running engrossed,
chasing the bends.
You needed to change - your father...
Honey, it's right out here.
Shaking sick, please listen.
There's no reason to fade.
Tuesday, April 28, 2015
The Pines - from "Zen, or the Skill to Catch a Killer," episode 2
Sipping coffee
on the edge of generic,
every hour effortlessly untied,
strung glowing, a robin's egg
folded scarlet, new beginning.
Angrily elegant,
your iron gates an
envelope, silk ribbon flowing script,
the music we hear heavy, close.
The pines, towering,
a smaller opera each day.
Note the invitation, the promise.
White room, emerald smoke.
Exasperated, you pound, burst.
on the edge of generic,
every hour effortlessly untied,
strung glowing, a robin's egg
folded scarlet, new beginning.
Angrily elegant,
your iron gates an
envelope, silk ribbon flowing script,
the music we hear heavy, close.
The pines, towering,
a smaller opera each day.
Note the invitation, the promise.
White room, emerald smoke.
Exasperated, you pound, burst.
Monday, April 27, 2015
I'll see you later - from "Zen, or the Skill to Catch a Killer," episode two
I'm not feeling too good, no; think I
got a touch of flu, bruise on the cheek -
fine, fine. I'm going to
erase this, connection pale, face unknown across
broken dishes, shards sweeping stiffly,
the need to rest, to be okay.
Next, my name over a place,
not a person, trash trying to sound normal.
I've got everything here I need;
don't drop by, okay? I'll always feel
like I have to be better.
got a touch of flu, bruise on the cheek -
fine, fine. I'm going to
erase this, connection pale, face unknown across
broken dishes, shards sweeping stiffly,
the need to rest, to be okay.
Next, my name over a place,
not a person, trash trying to sound normal.
I've got everything here I need;
don't drop by, okay? I'll always feel
like I have to be better.

Thursday, April 23, 2015
It didn't hurt, honest - from "Zen, or the Skill to Catch a Killer," episode two
He tries to move her.
She starts screaming.
When you say the name, secret boyfriend,
it strikes below, startles a bird
way above and
the routine repeats.
When there's no feeling
there's no sense
calling out
what did not break.
She starts screaming.
When you say the name, secret boyfriend,
it strikes below, startles a bird
way above and
the routine repeats.
When there's no feeling
there's no sense
calling out
what did not break.
Tuesday, April 21, 2015
This same dream - from "Zen, or the Skill to Catch a Killer," episode two
three years ago I
lay my hands on a line
drawn in chalk, explaining in
full-length a list to the deepest
levels, intuition on the
left side.
Move in on the fire,
desperately moaning, to dance -
stop, stop it - we have to sit uneasily,
recall infant spirit.
Concentrate on the 'J's.
I give the word.
Please read aloud
each of the names.
Hold this, a diary.
Get near me and I
will recall the
direct connection.
Friday, April 17, 2015
Big band - from "Zen, or the Skill to Catch a Killer," episode two
I died uneasily,
pursued on the edge of the bed,
restlessly searching.
Stay up late tonight,
pace, boots an impression
of the day I had a problem.
Maintain a watch on the music - it isn't
right, needle on the record,
tempo the heavy feel of despair.
The stylus, key to torment,
startled by another part of you.
Look again,
look again.
We have to dance.
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